the camera

22.00

by Maria Lalou

 

A camera infinitely moves in parallel to a table where five dressed in black are situated around. It faces always the back of one; the director herself. Her long monologue leads to live discourse between the five shaping a manifestation of concerns and suggestions on resisting algorithmic governance.

 

Through drawings and text, ‘the camera’ book by Maria Lalou unfolds the time line of the subjective encounters of a 90 minute discourse, that we follow as ‘viewers-readers’ of ‘The Dialogue’ film by Lalou.

 

“The Dialogue’ and ‘the camera’ are parts of a constellation of projects by Lalou that investigate visual technologies. In order to maintain a pre-active stance on the relation between people and images, cameras and people, and images and images, by de-emphasising her own directorial or authorial mode in ‘the Dialogue’, placing instead a concept of authoring or perceiving machine, and then unmasking this formation in ‘the camera’, these works propose the apparatus relations happening already, and pre-ceives those to come.”

 

Rachael Rakes, from the introduction of the book

drawings: Maria Lalou

 

text: Maria Lalou in dialogue with Knut Åsdam, Andrew Fremont Smith, Jennifer Uleman and Andreas Wimmer

 

introduction: Rachael Rakes

 

design: Maria Lalou

 

pages: 512

16χ20 cm

DOLCE publishing 2019

ISBN: 978-618-83709-8-2

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